Showing posts with label counter-culture. Show all posts
Showing posts with label counter-culture. Show all posts

Thursday, 11 February 2010

The Rebel Sell

After receiving the feedback for one of y recent essays on Youth Culture one of my lecturers suggested I read 'The Rebel Sell' by Joseph Heath & Andrew Potter. A very interesting read which developed the themes of an anti-capitalist counter-culture and the inherent flaws in such a tactic in much more detail than I had in the essay.


The book starts out with an attack on culture jamming as a useless tool of resistance pointing out that it is not a threat to capitalism but also and most importantly culture jamming in itself is a market with organisations such as adbusters. It goes on to point of the hypocrisy in many of these campaigns with passages like the following


Yet this animus toward Nike did create the occasional moments of embarrassment. During the famous anti-globalisation riots of Seattle 1999, the central Niketown was trashed by protesters, but videotape recorded at the scene showed several protesters kicking in the front window wearing Nike shoes.


The book goes on to explain that if Nike is this evil a company that warrants the trashing of the building so much, then how can one wear the said shoes. It also argues that whatever the shoes you are wearing generally they will have been produced in an equally exploitative way. I would argue that this has been attributed to the lack of an ideological base of any real kind to this kind of demonstration, movements or whatever they can really e described as. Although in many respects revolutionary, it poses the question how can anything be revolutionary when it has no idea where to go next. If these protesters were able to get into the room full of world leaders at any event, what would they do next? Of course there is no answer, the only thing that keeps them going is the ability to fight with the police who were inevitably hold them back and ultimately stop them from achieving their aims.


The book goes through several chapters along this strain of thought explaining that you can not uy resistance by buying into an alternative culture because the said alternative culture will always be a product of the current capitalist society and hence will end up being marketed or in some cases starts of as a marketed product simply tapping into that 'alternative culture' as their target audience.

It explains very well that we are all victims of this consumer culture in varying degrees it must be said but that it seems almost inescapable in modern society. It must also be said that aswell as pointing this out the book does not attack these forms of counter-culture as a cultural form but makes it clear that it would be deluded to see this as a form of resistance.


Although in this background there is a whole chapter dedicated uniforms and what they represent from the authority of the police or military uniforms right through to the uniforms of conformity such as the grey flannel suits. The book argues that the counter-cultural styles were a reaction against the authority and uniformity of modern capitalist society and once again whilst there is some truth in this once again this does not fundamentally challenge the system.


Whilst much of the book concentrated on North America particularly Canada, most interestingly the polemics against Naomi Klein which I won't dwell on here but will venture into in a future blog. The book however does venture both beyond North America and in other points to the past. There is section about California from the period before Europeans colonised the continent and points out that even then it was a consumer dominated society based on material possessions , the author paints the picture therefore that this was a natural development and has always existed. The author neglects to mention that this was in a class society and also neglects to mention that class society has not always existed.


The book goes on to talk about India and the search amongst some counter-culturalists for either spiritual relief or enlightenment. Though in this piece India is just one of many examples which are used. The authors point out the hypocrisy of 'rejected' outright one form of modern culture only to replace with another which for some unknown and never explained reason is different because it comes from another part of the world. It is in this section of the book where the class nature of this so-called resistance begins to unfold. It is of course obvious that the pursuit of exotic lands around the globe in research of enlightenment or resistance or relief or whatever it is in the first place, this option in general is not open to the poorest in society yet by many this is presented as our liberation!


It goes much further than this with s scathing revelation of a Canadian restaurateur who in order to source local products, hardly an option for the average person. It doesn't stop here there are many examples of this extremely middle class route of individual anti-capitalism/environmentalism which in reality serves no other purpose than to make the 'activist' feel good about themselves.


As well as these points the book goes through various many other points such as the technological advances society has made and how they have not fulfilled our hopes and dreams. But unfortunately it becomes apparent that the whole point at which the book has been getting at all along is not that the methods of struggle of these so-called anti-capitalists is wrong but the whole idea of another form of society is just wrong. The authors go out of there way to explain the benefits that capitalism can offer and indeed many of the examples they give are very good arguments of how capitalism can save our planet. Unfortunately the authors move throughout the book.


At the beginning of the book the authors have a very ridged analysis of everything that the critique and to justify some of these critiques Marx is quoted so it gives the illusion that the conclusion will be to go beyond the realms of capitalism. When it comes to arguing for a nice form of capitalism which essentially what the entire book as been leading up to, although the authors present a strong argument they are only able to do so by taking certain aspects of capitalism in isolation which of course in doing so you could prove absolutely anything. This is exactly where their entire argument comes crashing to the ground. Despite a good number of critiques against counter-culturalists and the so-called anti-capitalists the kind that never had any vision beyond capitalism in the first place. It does not go unnoticed that there is absolutely no critique of any Marxists or anarchists found within the book at all,neither is there any ideas presented in how we can go from the current capitalism to this so-called mythical nice capitalism.


One the whole the book is very thought provoking and full of valuable and interesting information a well worth read for any left-winger and others. However the book is severely let down down by the authors bind faith in capitalism and it does become apparent that the whole exercise was to paint the left as futile insignificant and has no ideas how to change society, but in doing so the authors neglected to confront the serious left. An interesting read nevertheless.

Thursday, 28 January 2010

No Shelter

This post is abit late but I thought I would comment on the Christmas No. 1 fiasco. Inspired to write this by my recent research on counter-culture and the resistance against consumerism.

Whilst even Rage Against the Machine jumped on the band wagon and saw this as a way of 'saving' music in Britian, they should really be reminded on the lyrics to their own song No Shelter

The main attraction, distraction
got ya number than number than numb
Empty ya pockets son, they got you thinkin that
What ya need is what they sellin
Make you think that buyin is rebellin'
From the theaters to malls on every shore
The thin line between entertainment and war
The frontline is everywhere, there be no shelter here
Spielberg the nightmare works so push it far
Amistad was a whip, the truth feather to tar
Memories erased and burned to scar
Trade in ya history for a VCR

Cinema, simulated life, ill drama
Fourth reich culture, Americana
Chained to the dream they got ya searchin for
The thin line between entertainment and war

There'll be no shelter here!
The frontline is everywhere
There'll be no shelter here!
The frontline is everywhere
There'll be no shelter here!
The frontline is everywhere
There'll be no shelter here!
The frontline is everywhere

Hospitals not profit full
The market bull's got pockets full
To advertise some hip disguise
View the world from American eyes
Tha poor adore keep feeding for more
Tha thin line between entertainment and war
fix the need, develop the taste
Buy their products or get laid to waste
Coca-Cola was back in our veins in Saigon
And Rambo too, we got a dope pair of Nikes on
Godzilla pure motherfuckin' filler
Get your eyes off the real killer

Cinema, simulated life, ill drama
Fourth reich culture, Americana
Chained to the dream they got you searchin for
Tha thin line between entertainment and war

There'll be no shelter here!
The frontline is everywhere
There'll be no shelter here!
The frontline is everywhere
There'll be no shelter here!
The frontline is everywhere
There'll be no shelter here!
The frontline is everywhere

American eyes, American eyes
View the world from American eyes
Bury the past, rob us blind
And leave nothin behind

American eyes, American eyes
View the world from American eyes
Bury the past, rob us blind
And leave nothin behind

Just stare!
Just stare!
Just stare!
Just stare!

and live the nightmare!

In Particular the line of the song which goes like this

What ya need is what they sellin
Make you think that buyin is rebellin'

It is in this line we find the crux of the problem. We were told that buying a 1992 single which everyone already had either legally or illegally would be able to save musical culture. As if at some point in the recent history we already controlled it!

But what was achieved? Bigger sales and free marketing for the x-factor winner, and huge sales for Killing in the name which is already a huge track played regularly internationally. As both were signed to Sony subsidiaries all we saw was sony cashing it in with loads of free publicity.

Far from being described as a blow against the music industry this couldn't even e described as culture jamming as the track chosen was a worldwide hit and a classic still reguarly played of rock radio and tv stations and clubs throughout the world. The only thing achieved was an illusion in consumerism.

I will keep it short as a discussion on this woud be interesting, but I will post more on counter-culture and culture jamming in the future

Friday, 22 January 2010

Youth Culture

I haven't made a post for awhile so I have decided to post one of my recent essay's as I beieve it could be the starting point for an interesting discussion. The essay is not a definitive answer to the question by any stretch of the imagination as ever with academia I was limited by time and space as well as by the nature of the question it self.

Nevertheless I feel that this could be a good starting point for a discussion on the changes of youth culture and its relationship with capitalism.

The question of youth, is one that is ever changing, by the very nature of youth being a stage of life that everyone goes through. A question however of great importance for a very obvious reason pointed out by Giroux 

Any discourse about the future has to begin with the issue of youth because more than any other group, youth embody the dreams, desires, and commitment of a society’s obligation to the future.
(Giroux, 2004)

However the youth are not simply developed in isolation from society as something to mould it in future. On the contrary young people are born into a society already in existence moulded and developed by the material realities around them as explained by Pierre Bourdieu

 '’youth' has been an evolving concept, layered upon layers with values which reflect contemporary moral, political and social concerns'

(cited in Jones, 2009)

It's for this reason that the question of youth cannot be discussed in isolation of previous events that have moulded and developed them and their outlook and expressions. I will explain here how the collapse of the Soviet Union along with the destruction of the manufacturing industry led to a major crisis in youth culture in the early 90's through the rave culture that had developed. Due to the increased alienation and lack of a ideological outlet. The Rave Culture emerged as a political act of defiance, creating their own society their own norms their own values, with sheer disregard for the laws accepted by society as a whole. But as this died down through the enforcement of the Criminal Justice Act and the rise of the legitimate club scene there arose a conflict in youth.

The crisis which arose was on one hand a dual fragmentation into the overtly political in the form of the anti-capitalist movement and the apolitical with the development of chav culture, both of which in reality were very political reactions to the alienation felt most acutely by young people. Alongside this was a stark contradiction, the young people were further fragmented, lost without their own identity, simply holding the identity that had been thrust upon them.

The big change, in fact probably the biggest change which will have changed youth culture forever, is the spread of the internet, which has opened up contemporary as well as historic ideas, values beliefs and norms to a generation who grew up with the internet as the norm. This coupled with the biggest economic crisis for nearly 100 years has had a profound effect and leads to major changes to come.

As the 1990s began the Berlin Wall had fallen and the rest of the Soviet Union had either collapsed or was on the verge of doing so. Their followed a huge ideological extravaganza that capitalism was the only way forward in which society can be run. Encapsulated by the Wall Street Journal which in 1990 simply declared as the headline 'We Won' (cited in Taaffe, 2009). This did not however match the reality of the experiences of young people at the time.

During this period of the so-called global triumph of capitalism the manufacturing industry in Britain had begun to decline and replaced with service sector jobs or unemployment (REFERENCE) in the recession of the early 90s. Leading to increased alienation, as Marx explained they do not see their work as part of their life but merely a way in which to gain the earnings necessary to for subsistence and leisure. (Marx, 1999) Hannah Sell brings this into a modern context by showing that young people were further alienated

The description of working life would apply just as much to the workers in McDonalds. Tesco, call centres on modern building sites or in factories, as it ever did to the weavers and labourers Marx was describing. Instead of making life easier the increase in automation has reduced ever more jobs to mind-numbing repetition and boredom.
(Sell, 2002)

 All this happened in the backdrop of the ideological offensive that capitalism was the only way. Young people had been cut off from a political voice by the closure of the Labour Party Young Socialists in 1988 which previously would have filled out with working class youth.Young people who were alienated and denied a political voice, being told that this was the only way and growing up in Thatcher's Britain to be told 'There is no society' set out to create their own society. In both a form of escapism from the mundane routine of employment or lack of and a political response to their own space, or norms, own values etc. In essence they tried to create their own society and so the burgeoning rave scene filled out.

It was a movement of the abandoned who found a space for themselves in the spaces and gaps left by society in the wake of abandoning a generation.
It occupies the ‘cracks and vacancies’ left by the state, including abandoned industrial complexes, - the detritus of Euro-American post-industrial society. As manifestations of the TAZ, raves are utopian social formations temporarily convened in Turner cracks, crevices and interstices of social structure - in the margins of society.
(John 2004)
It is clear from this that the emergence of the rave culture was an attempt to reinvigorate the abandoned and betrayed areas of society which had alienated young people so much. However this was not simply a case of young people trying to re-establish the forms of society that had been destroyed this was a case of young people trying to create a new society based on their own norms and values as Steve Redhead points out.
It can be used and usually not affect the person’s ability to work the next or the following day. It is associated with politics of pleasure, a hedonism (in hard times) – a pleasure for its own sake in times when moral regulation of youth is pervasive and deep economic crisis is rife.
(Redhead, 1993)
Whilst functionalists would argue that this deviance is necessary in order to maintain a functioning society even going as far as to say 'anomie does not cause deviance, it is deviance which is the solution to anomie' (Blackman 2004) I would turn this on its head and say that the isolation is both the cause of the deviance and that the deviance is also the solution to isolation. Not however that this is the only way in which society could function, but simply that this is the only way in which the current order of society can be maintained. It was for this reason and that the rave culture was seriously questioning the power and authority of society that it was eventually controlled and stamped out. Through the introduction of the Criminal Justice Act which clamped down on illegal raves and through the legitimisation of rave culture in the commercial scene. 
It was through this discourse that young people were conflicted, the young were fragmented and no dominant sub-culture was there to encapsulate the hopes and dreams of a generation. This can be summed up by the rock band Pitchshifter, who point out the alienation felt by youth and the searching for a voice, for a generational statement.
The jobs we get when we graduate from school are stupid, boring meaningless and a dead end to insanity..... Every generation has a statement they wanna call their own, tattoos, piercings, that’s for mums and dads.
(Pitchshifter 2000)
It is in this period which prompted Steve Redford to proclaim that youth as a genre is fast becoming a cliché (Redhead 1995). Whilst this was partially true there was also during this period two phenomena’s that changed things forever.

It was around this period in which the anti-capitalist movement developed, due to the lack of political organisation in workplaces but the relative political freedom and individual wealth that had developed an unique situation developed where young people alienated from society decided to fight back against the capitalist order directly
The kind of workplaces that young people work in often do not have unions. Politically-conscious youth are expressing their politics outside of work, through anti-fascism, through defending their right to party, through involvement in a counter-culture (in which the internet plays a large part). The internet gives young people contact with the world. They form ideas about their place in the world, without attending meetings. The internet makes it possible for young people in the UK to define themselves in relation to struggles for emancipation in Korea or Mexico, without the mediating role of an organisation in their home town or even home country. Lots of internet kiddies know more about the politics of the Zapatistas than they do about the political systems they live under. The Zapatistas are exciting rebels, even the best of the politicians available at home are either dreary careerists or patently unserious.
(Workers’ Liberty, 2001)
This clearly displays that young people are clearly and overtly searching for a political alternative to run society and this happened because of the spread of the internet opening up global ideas to a lost generation who now have the ability to search out those very ideas. It has led to the development of a youth culture with is anti-authoritarian and anti-capitalist in nature and one which embraces and even celebrates their differences. This can be summed up in a nutshell by the anti-capitalist musicians Sonic Boom Six who point out that the differences between then are in essence meaningless it’s just about finding your own identity in a failing world. 
Well I remember at the party, a couple years ago, when I saw an MC. He ripped the mic and passed it to me. I learnt a little lesson he helped me to see. It’s not about choosing guitar or the decks it’s about doing it yourself that get’s the respect. So punks say Oi! B-Boys say Bo!
(Sonic Boom Six, 2006)

This form of culture amongst youth has undoubtedly developed because of the rise of the internet which encapsulates all the history and culture available and the click of a button which has led to the acceptance of other styles of youth culture.

Conversely however this was a dual process and the other main trend to flow from this was the emergence of chav culture which has also been a political reaction by this change has occurred in a covert nature. Chavs have also taken an anti-authoritarian stance but one of intimidation coupled with a desire for commodities previously adorned with the middle class. (Atkinson, 2008) ‘Chav culture’ has taken the alienation and frustration of young people in a consumer society and manifested itself in a disregard for authority and a yearning for those consumer goods which they see as defining their status.

Both these dualities which have appeared in youth culture over the last decade are a reaction to the alienation and abandonment felt by young people in the modern world.
One of the worst things of all experiences in capitalist Britain is to be a young person who cannot get work – to have been thrown on the scrap heap before your teens are over.
(Sell, 2002)
Yet these different sub-cultures have manifested themselves in opposing forms. One seeking to change the world and one seeking to simply change their own circumstances. These differences are likely to be exacerbated in the next few years as the economic crisis will further beat down on an already battered generation and it is for this reason that the subject is so interesting as the ideas and objectives of the youth will be the ideas and objectives of the future. 

I have outlined here the developments of youth culture in the last two decades, starting from the conflict in young people, alienated from a society that they were told was the ‘only way’ which manifested itself in a merger of cultural resistance and of a political response in the form of rave culture. But once this began to disseminate there was a crisis in youth. There appeared a young generation angry and disposed with their isolation but with no obvious outlet neither political nor cultural. But this began to change with the fast paced spread of the internet opening up the world to young people and a duality in youth developed. 

Young people were increasingly isolated from society and manifested themselves into to opposing ways, one in which they attempted to change society and another in which they attempted to change their own position in society. These differences are likely to exacerbated in the next few years as the looming economic crisis deepens and the dominant ideas which emerge amongst the youth with be the dominant ideas of the future leading to more changes.


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